Wednesday, September 29, 2010

Venom and Song - CSFF Blog Tour Day Three – Or – Oops, I goofed

I’d like to wrap up this tour by clarifying a “tease” that I made in the Curse of the Spider King tour. To recap from my post from last time:


While I was reading this book, it occurred to me that Wayne may have given me a clue as to what the story would be like. Two years ago, Wayne posted this on his writer’s forum:

I've heard it said that there are a finite number of basic plots for a novel. Things like "the quest," "the coming of age," "the discovery," etc. ...that all stories at the simplest level fall into one of the set number of plot structures.

I've also seen books panned because "the plot is derivative." Eragon, which I happen to like btw, has dozens of one and two-star reviews on Amazon, the majority of which decry the story for being a rip off of LotR and Star Wars.

Thing is, Lucas "borrowed" much of his plot from Arthurian legend, and Tolkien, all-time-master-story-teller that he is, borrowed heavily from Norse traditions.

So my question is twofold:

1. Are there plotlines out there that have just been "done to death?"

2. What can an author do to revive or renew familiar plots so that they will feel original to the reader?


Personally, I thought the Eragon movie was very derivative of the first Star Wars movie, though I can't speak for the book.
I answered question one this way.

…there's the "YOU ARE THE CHOSEN ONE!" story, which we've seen a lot from Star Wars, The Matrix, Dune, the Terminator movies, and Lord of the Rings. Here, basically an unwitting chap is yanked from his regular, hum-drum life and is told he has a special destiny, in many ways it's a variant on Christ's story. This plot, to be honest, is one I think needs to be retired or at least semi-retired, because the moment the bearded (or in Morpheus' case, the shaded) one reveals the chosen one's destiny, the suspense is pretty much gone. You know he's going to receive his special powers or whatever and defeat the evil forces, because "he's the chosen one." (I know Lucas made Anakin the chosen one, but he turned out to be a bad guy, and I still don't understand what Lucas was trying to tell us with that) I just think things like that, and old prophesies fortelling the hero's fate, really sucks a lot of anticipation out of the story, unless it's done really really well.


You know, if you think about it, it really is a done-to-death cliche. How many movies and books have this plot device? (Though quite a few still do it well)
Anyway, the Waynester replied:

Awww, mannnn, Jason, just wait for my next fantasy series. I am SO going to turn this cliche on its head.


Hmmm….well that piqued my curiosity. Is Curse of the Spider King said turning said cliché on said head? Read tomorrow's post to find out!



Well…it turns out I was off the mark. Nope, it wasn’t Curse of the Spider King. As Wayne said in the comments section:

“…the book I was referring to is the first of my new series with AMG: The Dark Sea Annals.”

And speaking of said book, you can click this link right here to see it for yourselves, complete with its really cool looking book cover:

http://www.amazon.com/Sword-Stars-Book1-Dark-Annals/dp/0899578772/ref=sr_1_1?s=gateway&ie=UTF8&qid=1285799298&sr=8-1

Oh yeah, I should talk about that Christopher Hopper dude. He contributed, too! Duh. Here’s a link that will take you to his two entries in his White Lion Chronicles series:

http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=christopher+hopper&x=0&y=0

Anyway, to close up shop for today, the book was awesome. It comes highly recommended from yours truly.

Tuesday, September 28, 2010

Venom and Song - CSFF Blog Tour Day Two – or – “Don’t You Forget About Me.”

Continuing on with my discussion of Wayne and Christopher’s portrayal of the young teens, this scenario reminded me, of all things, the 1985 John Hughes flick The Breakfast Club. For those of you who don’t know what I’m talking about, The Breakfast Club was about a group of high school students from radically different cliques, a princess, a nerd, a jock, a rebel, and a “basket-case,” all thrown together for one Saturday in detention. As one of the characters points out, they would be unlikely to ever mix in a normal, everyday high school setting.

In this book, the elven lord Tommy voices similar concerns. The seven of them spent much of Curse of the Spider King apart, in other countries actually. In Venom and Song, they not only have to get along, but form a family of sorts. The heart of this conflict comes during the training of their unique gifts, when the character of Grimwarden puts the group in situations when they must work together. Needless to say, it’s tough going at times. Sometimes their personalities rub each other the wrong way. However, they progress from being just merely successful at their tasks to realizing the enormity of the conflict around them, and they eventually start to unite around a common desire to protect their newfound homeland.

There’s also an added bit of tension that goes beyond the usual good versus evil plot. As I mentioned in my COTSK review, there is a hint that the elves had wronged the Gwar race at some point in the past. Well, the teens find out what that is, and it causes a brief rift between them and Grimwarden. Added to that, there is also some intrigue involving the elven leadership, who aren’t of one mind on how to deal with the Spider-King. At least one faction wants to break off the lords’ training and attack the Spider-King head-on. I liked these subplots because it forced the teens to think more about what they’re fighting for, instead of just taking orders like mindless robots. There’s also an interesting question about whether the descendants of those that committed horrible crimes should be held accountable for their ancestors’ actions. Grimwarden gives a good speech on this point. It’s an important question, because so many conflicts today are birthed out of grievances from the past, sometimes the distant past.

Also, the actions of the elves are another reminder of the vigilance people of good conscience must have toward their own society. No nation or people is perfect, and sometimes even leaders may do what they think is the right thing, but it results from faulty reasoning and it turns out to be very wrong in retrospect. Sometimes a failure to be vigilant can let wickedness spread, causing good societies to rot from within.

Next time, more observations on Venom and Song!

* Venom and Song - http://www.amazon.com/exec/obidos/ASIN/1400315069 (or an alternate link of your choice)
Authors’ blogs
Wayne Thomas Batson – http://enterthedoorwithin.blogspot.com/
Christopher Hopper – http://www.christopherhopper.com/blog/


Angela
Brandon Barr
Keanan Brand
Amy Browning
Beckie Burnham
Morgan L. Busse
Melissa Carswell
Jeff Chapman
Valerie Comer
Amy Cruson
CSFF Blog Tour
D. G. D. Davidson
April Erwin
Tori Greene
Ryan Heart
Bruce Hennigan
Timothy Hicks
Becky Jesse
Cris Jesse
Jason Joyner
Julie
Carol Keen
Krystine Kercher
Dawn King
Leighton
Rebecca LuElla Miller
John W. Otte
Donita K. Paul
Sarah Sawyer
Chawna Schroeder
Tammy Shelnut
James Somers
Kathleen Smith
Rachel Starr Thomson
Robert Treskillard
Steve Trower
Fred Warren
Jason Waguespack
Dona Watson
Phyllis Wheeler
Jill Williamson

Monday, September 27, 2010

Venom and Song - CSFF Blog Tour Day One - Or, Your Friendly Neighborhood Spider King

Venom? This book is about Spider-Man’s dark-suited alien-symboite possessed arch-nemesis?

No, actually it’s the sequel to Wayne Batson and Christopher Hopper’s fantasy Curse of the Spider King.

Spider King? Is that one of Spider-Man’s allies?

*Editor hits desk with ruler* Enough of the Spider-Man jokes!

Okay, okay. Sheesh!

Anyway, for the uninitiated, the Spider King is the titular nemesis of the The Berinfell Prophecies Series. He seeks to conquer the world of Allyra, and more specifically conquer the race of elves that have since fled to the underground of their world. To protect the heirs to the seven elven lords, they were taken to Earth as babies. When they all became thirteen, their special gifts began to manifest themselves (ability to make fire, super speed like the Flash, etc). Unfortunately, the Spider-King’s forces located them as well, and last we saw, the teens had to skedaddle to Allyra.

That’s where Venom and Song opens.

I previously gave Curse of the Spider-King a positive review here. Some readers were put off by the large cast of protagonists-seven in all-and the time it took to get there. Personally, I thought the story was good, in that it did just what it set out to do. It vacillated between moments of high fantasy, slice of life drama and comedy, creepy scenes involving monsters, and at the end, a great action sequence. Also, Wayne and Christopher have a good feel for creating young protagonists, probably more so than in almost any Christian fantasy series I’ve read to date. I’ll comment more on that as the tour rolls on, but I think for Venom and Song they were just as good, if not better, with the young characters.

My initial impressions with Venom and Song are very favorable. While COTSK jumped from teenager to teenager, when it wasn’t going into the Allyra flashbacks, VAS is much tighter. It focuses primarily on the seven teenagers and rarely leaves them except to cut to the Spider King, the other elves, etc, primarily characters we already know. Also, since the seven are finally together, we get to see how these different kids get along-or in some cases-not. I’ll comment more on that later on.

And as aside, I loved that one of the teens suggests going back to Earth and getting modern day guns and ammunition to fight the Spider King. So many of these fantasy worlds are only at a medieval level of technical development, so swords and arrows are typically your only bet. Of course, if you could manage to bring some sweet firearms with you, you might have a leg up on things. Of course, the kids are told that inorganic material cannot pass through the portals, so the idea of an 80s action movie montage where the elves enter an armory and stock up on machine guns is nipped in the bud. Wait a sec, did the Allyrans subcontract their portals out to Skynet?

Next time, more of my thoughts on Spider-Man…I mean, Venom and Song! Check the links below. Um…gotta run!

*Author runs as editor gives chase with two by four*


* Venom and Song - http://www.amazon.com/exec/obidos/ASIN/1400315069 (or an alternate link of your choice)
Authors’ blogs
Wayne Thomas Batson – http://enterthedoorwithin.blogspot.com/
Christopher Hopper – http://www.christopherhopper.com/blog/


Angela
Brandon Barr
Keanan Brand
Amy Browning
Beckie Burnham
Morgan L. Busse
Melissa Carswell
Jeff Chapman
Valerie Comer
Amy Cruson
CSFF Blog Tour
D. G. D. Davidson
April Erwin
Tori Greene
Ryan Heart
Bruce Hennigan
Timothy Hicks
Becky Jesse
Cris Jesse
Jason Joyner
Julie
Carol Keen
Krystine Kercher
Dawn King
Leighton
Rebecca LuElla Miller
John W. Otte
Donita K. Paul
Sarah Sawyer
Chawna Schroeder
Tammy Shelnut
James Somers
Kathleen Smith
Rachel Starr Thomson
Robert Treskillard
Steve Trower
Fred Warren
Jason Waguespack
Dona Watson
Phyllis Wheeler
Jill Williamson

Wednesday, July 21, 2010

CSFF July Blog Tour – Starlighter - Day 3

A few more thoughts on Starlighter on this final day of the tour:

I’ve noticed several reviews have called into question Starlighter’s blend of science fiction and fantasy, finding some of the sci-fi gizmos like the photo gun a little odd in a setting that seems primarily medieval. While I certainly agree that sometimes genre bending can be a little confusing, I didn’t get that with Starlighter. A few points:

First, it is possible that a society may remain somewhat primitive in many aspects, but yet may be more developed in other areas. So the idea that swords and armor are co-existing with photo guns, or in Jason’s case, a messaging device that requires genetic code to activate, shouldn’t be too unusual. The setting of the humans’ world seemed sufficiently advanced enough that they could credibly have such advanced technical items-they all live in man-made dwellings instead of say, caves or a series of primitive huts. I would also point out that there’s a lot of room to see more of Darksphere/Major Four’s civilization. It’s not as if we got the detailed tour of every aspect of their lives. It’s also possible they were a more advanced society in the past but fell from an earlier glory, and their spotty technology is just leftovers.

I think the more interesting stories have tended to merge ideas from different genres. Take an example from Bryan Davis’ Dragons in our Midst series. The first book in the lot, Raising Dragons, was an Arthurian fantasy set in modern times. It had dragons, Merlin, Arthur, swords, and a villainous black knight. The sequel, The Candlestone, was very different. Much of it revolved around a secret underground lab that seemed like it parts of it were inspired from a James Bond movie, a Frankenstein movie, or any Star Trek flick or episode. The plot revolved around the bad guys’ efforts to extract the dark knight from the previous book from a small stone, inside which matter is converted to a light energy and stored within. The lab has a machine that transforms people into light energy so they can venture inside the stone, and then extract them back to their solid forms. I must imagine that some readers must have wondered where a series that seemed like it was reinterpreting Arthurian legends suddenly turned into an episode of Star Trek.

Some might say that the DIOM books are contemporary while Starlighter is a completely fantasy work. In that case, we could examine one of the most famous fantasies of all: Star Wars. People would say it’s science fiction, but on what basis? That it has cool futuristic machines? What then would you call the Force? I don’t know what the scientific basis of “Use the Force, Luke,” is. When you look at science fiction, its primary function is to examine the effect machines and technology have on mankind. It’s not so much the tools as the attitude the narrative takes toward the gadgets. If you look at the original Star Wars, it’s a fairy tale re-garbed in a universe of advanced technology. Darth Vader is the black knight/sorcerer who wields mystical powers. Obi-Wan Kenobi is much like Merlin. Both engage in a sword fight whose only difference between their archetypal counterparts is that their swords are not metal but made of energy. The story is about a group of plucky heroes who rescue a princess from an enemy stronghold. In the end, Luke blows up the Death Star by exercising a spiritual force, not by using his targeting computer. That’s definitely in the realm of fantasy. By contrast, a franchise like Star Trek is more interested in how mankind uses technology for the betterment of his own race, in exploring the universe and expanding his realm of knowledge.

So I think if one were to characterize Starlighter as fantasy, I’d say they’re right. But the fact that it has advanced machinery should not be disconcerting. It’s the attitude the story takes toward that technology.

One more time for the other blog tour members:

Brandon Barr
Beckie Burnham
Jeff Chapman
R. L. Copple
CSFF Blog Tour
Stacey Dale
D. G. D. Davidson
Jeff Draper
April Erwin
Andrea Graham
Tori Greene
Nikole Hahn
Ryan Heart
Becky Jesse
Cris Jesse
Jason Joyner
Julie
Carol Keen
Krystine Kercher
Dawn King
Leighton
Jane Maritz
Rebecca LuElla Miller
John W. Otte
Donita K. Paul
Crista Richey
SarahFlan
Chawna Schroeder
Rachel Starr Thomson
Steve Trower
Fred Warren
Dona Watson
Phyllis Wheeler
Jill Williamson
KM Wilsher
Jason Waguespack

Tuesday, July 20, 2010

CSFF July Blog Tour – Starlighter - Day 2

Today I’m going to post my review of Starlighter.

I’ve read all of Dragons in our Midst and Oracles of Fire series, as well as Beyond the Reflection’s Edge and roughly half of Eternity’s Edge, so I come into this knowing Bryan’s work very well. Suffice to say, unlike someone who would be reading one of his works for the first time, I was more attuned to common themes and ideas that he has used before. I have to say, on that level, Bryan’s work was not very derivative. It wasn’t a clone of his previous works, but you could tell it was a “Bryan Davis” work. (Heh, heh, I wonder if we writers should want to be so branded like that. I can only wonder what someone would think of one of my stories) The heroes are young and brave, and the heroines are spunky, but not in a way that duplicates characters from his earlier works. Many of the characters are unique and have some eccentricities that make them interesting, particularly Tibber and Elyssa.

Anyway, the story opens with a young soldier named Jason fighting an opponent in sword to sword combat.

Already I love this story.

As it turns out, Jason Masters is a resident of a planet called Major Four (dragons call it Darksphere) who is promoted to the job of guarding a powerful governor…who is promptly killed and Jason is made a patsy for the murder and flees.

Don’t you just hate it when that happens?

The other plotline involves a planet called Starlight, where a girl named Koren is found to have the powers of a Starlighter. (I won’t give away what it is, it’s actually very cool and I wouldn’t want to spoil those scenes) This leads her to a mysterious black egg, which houses the dragon prince inside. The prince is the subject of a prophecy, whose emergence could spell good or ill.

Of great interest in this tale is that the humans on both planets are grappling with competing beliefs about the human race and dragons. Jason, as well as his brother believe that a group of humans-called the Lost Ones-was kidnapped from their world long ago by dragons and that their descendants might still be alive, but the prevailing authorities on their planet frown on such talk to the point of imprisonment. On Starlight, the dragons tell the human slaves that they are natives of that world, while a few humans believe in a world where their home race originated from. On both planets, voicing beliefs contrary to the ones held by the majority will probably get you imprisoned or killed. I like this element of the story because it makes the characters more pro-active. They don’t have a wizened elder to tell them what to do, and they don’t have a prophet-type to give them instructions. For those who are fans of the Dragons in our Midst/Oracles of Fire books, the characters typically were confronted by enigmatic poems given by prophets like Merlin or Enoch-or were given instructions by them directly. Over time, as the hero characters aligned themselves completely with God, there was no doubt they seek to follow the prophecies or instructions as best they could. The tension was in how they interpreted the words and whether their actions would succeed. While that tension worked well even in the later stories, I think there’s still a limitation to the heroes’ actions in that they’re following a blueprint to resolve the crisis they’re in, and aren’t going to monkey around with it very much.* In this story, the characters don’t have that guidance. They’re acting more on general faith and their own principles, and those actions will have enormous consequences not only for themselves, but for perhaps the fate of two worlds. I liked that. I also liked that even though I could guess at what was true, the narrative didn’t quite make that clear. I’m sure there is still more to the story of these two worlds than what we’ve learned.

*(Again, I’d stress Bryan still makes them interesting because he writes them out in the form of poems that are beautiful to read and enigmatic enough to keep you guessing. A lot of prophecies in fantasy works tend to be as flat as saying someone will be the chosen one to fight evil, and then his great power comes on like flipping a light switch. How dramatic…)

Earlier, I semi-jokingly called this a “Bryan Davis” work. I say that because in addition to the fantastical settings and youthful characters, we also get scenes where moral or spiritual issues are pondered and explored. In this case, such scenes are found when Koren is debating issues of love with the dragon prince, who can communicate telepathically with her. The prince asserts that Koren has no ability to love him on her own, that she must force herself to love him, to become his servant in a manner more befitting a slave. He initially sounds very Messianic, but it becomes evident to Koren that something is wrong here, and his rhetoric that her love can only be coerced from her only serves to repulse her. I’m not entirely sure where this line of debate will go, as it seems unresolved in this story. It’s an interesting but unresolved layer in this saga; I’d like to see how it plays out in future sequels.

Overall, I liked the book. I thought it was a well-rounded, well-paced tale without any rough edges and a fresh universe to work from. Nothing struck me as false or out of place. It’s a book I think would be ideal for the junior high set and up. I noticed that some readers didn’t like the cliffhanger ending, but personally I don’t think it was that abrupt, and the closure for the tale was adequate.

Next time: More thoughts on Starlighter!

Blog tour links for your convenience:

Brandon Barr
Beckie Burnham
Jeff Chapman
R. L. Copple
CSFF Blog Tour
Stacey Dale
D. G. D. Davidson
Jeff Draper
April Erwin
Andrea Graham
Tori Greene
Nikole Hahn
Ryan Heart
Becky Jesse
Cris Jesse
Jason Joyner
Julie
Carol Keen
Krystine Kercher
Dawn King
Leighton
Jane Maritz
Rebecca LuElla Miller
John W. Otte
Donita K. Paul
Crista Richey
SarahFlan
Chawna Schroeder
Rachel Starr Thomson
Steve Trower
Fred Warren
Dona Watson
Phyllis Wheeler
Jill Williamson
KM Wilsher
Jason Waguespack

Monday, July 19, 2010

CSFF July Blog Tour – Starlighter - Day 1

We're kicking off the July blog tour with a look at Bryan Davis' newest opus, Starlighter. It's the beginning of a new series called Dragons of Starlight, a sci-fi fantasy series that, in case you're wondering, has nothing to do with Bryan's previous Dragons in our Midst series. No, this is a different story, with a different setting, different characters, etc.

The book can be ordered here:- http://www.amazon.com/exec/obidos/ASIN/0310718368/

I'd like to kick off Monday with a list of links about Bryan and his work. Plenty of interviews, reviews of his earlier books, it's all here! (The links that still work, anyway) So sit back and enjoy!

Posts by Bryan on Spec Faith
The Official Dragons In Our Midst Website
Fantasy and the Heart of a Child by Bryan Davis
Fantasy and the Heart of a Child (Updated)
The Ultimate Youth Fantasy Adventure (DIOM Advertisment)
Interview with Bryan Davis - Christian Book Previews
Interview with Bryan Davis - Christian Book Previews with Dian Moore
Interview with Bryan Davis - The Sword Review
Interview with Bryan Davis
Interview with Bryan Davis
Interview with Bryan Davis, Author of the Dragons in Our Midst Fantasy Series
Bryan Davis Interview 7-7-04 - Christianbook.com
Dragons Storm the CBA Youth Best-Seller List
Faith Writers Magazine - Bryan Davis Interview and Circles of Seven Review
Circles of Seven by Bryan Davis (Review)
Tears of a Dragon, Book 4 in the Dragons in Our Midst series (Review)
In a creative rut of reactionism (Comments on DIOM)
A MonT-SteR correction (E-mail exchange with Bryan Davis)
Raising Dragons Review - Edenstar Books
Raising Dragons Review - Crosshome
The Candlestone Review
The Write Brothers
Okay, I admit it...
Can Dragons Make Christian Fantasy Fly?
Young Readers and the Allure of Fantasy - Part I
Young Readers and the Allure of Fantasy - Part II
Good News -- Young Adult Fantasy With Faith Foundation
Book Review: Dragons in our Midst
Raising Dragons Review
Raising Dragons by Bryan Davis: Young Adult Fantasy for Everyone
Eye of the Oracle Review
Top 10 Reasons Why Authors Who Are Public Speakers Have An Unfair Advantage In Promoting Their Books
Author Bryan Davis - Free Book

An Interview with Bryan Davis
Enter the Door Within - Motiv8 Blog Tour - Bryan Davis
Ten Tough Questions (and 1 easy one) for...Bryan Davis!
L.B. Graham - Bryan Davis
Interview with Bryan Davis
The Fantasy 4 Fiction Tour #3- Bryan Davis
I Know Why the Angels Dance Author Interview Part 1
I Know Why the Angels Dance Author Interview Part 2
Wild Card Tours: Interview with Author Bryan Davis
The Yodeling Dwarf Interview with Bryan Davis

Now, assuming you're not tired of links, here's the rest of the participants. Give them a ring.

Brandon Barr
Beckie Burnham
Jeff Chapman
R. L. Copple
CSFF Blog Tour
Stacey Dale
D. G. D. Davidson
Jeff Draper
April Erwin
Andrea Graham
Tori Greene
Nikole Hahn
Ryan Heart
Becky Jesse
Cris Jesse
Jason Joyner
Julie
Carol Keen
Krystine Kercher
Dawn King
Leighton
Jane Maritz
Rebecca LuElla Miller
John W. Otte
Donita K. Paul
Crista Richey
SarahFlan
Chawna Schroeder
Rachel Starr Thomson
Steve Trower
Fred Warren
Dona Watson
Phyllis Wheeler
Jill Williamson
KM Wilsher
Jason Waguespack

Tuesday, December 1, 2009

Two For Tuesday Review: Hunter Brown and Ryann Watters

(This review is cross-posted at Speculative Faith.)

I was supposed to have finished this review months ago, but a lot of things jumped in the way, namely school, work, other books, etc. Anyway, I’m back in the saddle, and ready to proceed with my special double review. I purchased two Christian fantasy books not too long ago at about the same time. Each of them has a similar premise, and I decided for fun to review them both at the same time. The two books are Ryann Watters and the King’s Sword by Eric Reinhold and Hunter Brown and the Secret of the Shadow by the Miller Brothers.

I’ll briefly recap what both stories are about. In Ryann Watters, the titular character is visited by an angel who gives him special items and a mission to find the King’s Sword. He eventually enters the land of Aeliana, a land inhabited by talking animals. In Hunter Brown, the titular character and a friend of his end up in the land of Solandria, where Hunter joins a force called the Codebearers, who fight for the Author against the evil Venator and the forces of Sceleris, a being who once was the Author’s scribe.

Given the growing number of Christian fantasy authors, we’ve got an opportunity to how they put spins on a familiar theme. In this case, we have two good stories that take the same idea: young person ends up in fantasy world to fight evil-and fashion different takes on it. I’ll first look at each book separately.

Hunter Brown reminded me a lot of Wayne Batson’s The Door Within. Both stories feature a villain that was once favored of the God-like character (The Author in Hunter Brown, King Eliam in The Door Within), but became greedy for more and instead is punished for his transgressions by being thrown into a lesser state-Paragor from TDW wanted to be king but can only be a prince, Sceleris wanted to be an author himself but is now a character in the Author’s book. Hunter and Aidan (the protagonist from TDW) both attend a dinner and are acclaimed as a special guest that is chosen for a special duty. Aidan and Hunter are surrounded by colorful warriors with boisterous personalities, and also are paired up with a strong warrior-gal. Both boys have a vision that the elder warriors take seriously, with one going to consult in private about the matter. Both books feature a battle against a city by the evil army (though in Hunter Brown it occurs off-page), and a subsequent journey into the dark forces’ lair. Hunter Brown even slips in at least two times the phrase “Never alone.” (I’m not saying Hunter Brown is a rip-off, I just found the similarities interesting. I have seen stories that seem like shameless rip-offs; this isn’t one of them)

Okay, some of the story elements weren’t all that new, but the execution was very good. But the last few chapters took the story from cool to awesome land. The revelation about Venator actually wasn’t that surprising considering Ventator’s age, but it was still great. But as it goes on, the story just gets plain…unpredictable. Things happen that you don’t expect, and Hunter doesn’t always make the best choices, or even choices you think he’s going to make. Even his allegiance-to the Shadow or the Codebearers, isn’t really settled until the final few pages, and for a moment, Hunter actually makes a choice that protagonists usually don’t make in these stories-(SPOILER)-he decides not to choose either side. Granted, his choice doesn’t work out like he wanted, natch, but I actually like that for a moment that he doesn’t know if he should trust anybody but himself. The last part of this story is a head-spinning, riveting conclusion, and it hands this story a big thumbs up.

Stylistically, I like the book cover and the illustrations that popped up at times. Also, the book is written from a first person perspective, which is not very common in these fantasy books, and the authors deserve kudos for making it work. It’s generally hard to write in this fashion because you can’t cut away from the main character, at least not very easily.

Now to Ryann Watters. This story focuses on three human characters and three talking animal characters, with the main hero being Ryann. While it is a fantasy story, it actually doesn’t focus a lot on the fantasy world of Aeliana. Ryann and his friends make brief stops there for about the first two thirds of the tale, while being pursued by their arch-nemesis Drake. The emphasis in this story is actually on Ryann’s spiritual education. To solve mysteries, he frequently consults the Bible, and many of the good guys quote Scripture extensively.

The story is pretty straight forward, and it won’t knock your socks off with a “wow, I wasn’t expecting that” moment. But it’s a pleasant read. One of things I liked is the dual storyline of hero and villain. In this case, the antagonist, Drake, is another teenager, matching Ryann with a peer opponent, a reverse of the “chosen one” trope. Here the bad guys also recruit a young person for adventure, albeit a bad one. And Drake isn’t entirely unsympathetic. He’s a villain, but one who’s had a hard life, and you wonder if Eric has redemption plans for him down the road.

On the downside, Aeliana is not described much in detail. There’s very little to distinguish this place from say, Narnia, and many of the visits don’t build the world up very much.

So, how do these two stories compare? Hunter Brown was more allegorical in its spiritual themes, while Ryann Watters is a lot more direct, with few or no stand-ins for God, Scripture, and angels. For example, Hunter consults the Author’s Writ for wisdom, while Ryann goes right to the Bible itself. The protagonists themselves are different. Hunter is an unbeliever who spends the whole story trying to pick his allegiance, while Ryann is already a good kid who’s trying to mature in his faith. They’re both good avenues to explore; I think you need stories about an unbelieving protagonist who finds the light, and about a believer who learns to persevere and mature.

Tone-wise, you could compare Hunter Brown to Nickelodeon, with gross-outs, rebellious kids, and lots of action. Ryann Watters on the other hand is more like Disney, with a lighter, more “magical” world with talking animals and plucky, good-natured protagonists. Actually, I was struck by how non-violent Ryann Watters was. It has some action, but it’s actually quite light for this genre. I could see this book as very accessible for the younger set, a stepping stone for other works in this genre.

I’d say pick up either one of these books. I think both of them are good, though I’d give Hunter Brown a higher grade. Both stories also have sequels out, which I hope to review again, perhaps in another double-review. And hopefully, I will have that review out in a timely fashion-before book number three in both series debuts on the bookshelves…